Leica M Monochrom Leica Apo Summicron M 50mm Bewertung | 108 Daten im Vergleich

In his travel and street photography review featured on Steve Huff Hi-Fi and Photo, photographer Lee Sungsoo shares his experience using the Leica M Monochrom paired with the Leica 50mm f/2 APO-Summicron-M ASPH lens during an April 2013 trip to Delhi and Jodhpur, India. Inspired by legendary photographer Steve McCurry, Sungsoo focuses strictly on the 50mm focal length—an angle he mastered after using a 4th-generation 50mm Summilux for over a decade. He praises the combination as an exceptional, lightweight tool that allows an amateur photographer to easily blend into the environment and concentrate entirely on capturing candid, everyday human interactions rather than standard tourist imagery. The review highlights distinct pros and cons regarding the specific gear setup and photographic choices: Pros: Sungsoo notes that the Leica 50mm APO is "super sharp" and provides a "much deeper color" rendition than other Leica 50mm M-lenses, while yielding a highly malleable DNG raw file on the Monochrom sensor. Community feedback heavily lauds the setup's exceptional sharpness, organic micro-contrast, high-contrast punch, and gorgeous background bokeh that gives the black-and-white travel images a gripping, near-3D...

The PCMag review of the Leica APO-Summicron-M 50mm f/2 ASPH. awards the lens a 5-star rating for its near-perfect performance, citing extreme edge-to-edge sharpness at f/2, zero distortion, and a robust build. The compact, all-metal 10.6-ounce optic features advanced apochromatic design, built-in hood, and 39mm filter compatibility. Conversely, the lens carries a high price tag of $7,195, is limited to manual focus, and has a minimum focus distance of 0.7 meters, hindering close-up photography. Despite the cost and limitations, it is lauded as a top-tier performer for Leica M rangefinder systems.

The PCMag UK review awards the Leica APO-Summicron-M 50mm f/2 ASPH. a rare, perfect 5.0 Exemplary rating and an Editors' Choice award, calling it as close to a perfect lens as the reviewer has ever used. Tested on a full-frame Leica M (Typ 240), the lens delivers historic, flawless performance by completely neutralizing typical optical flaws. Its core pros include being insanely sharp from edge to edge even at its maximum f/2 aperture, showing zero distortion, and utilizing an advanced apochromatic design that entirely eliminates chromatic aberrations or color fringing. Additionally, the lens features a highly durable, premium all-metal construction, a very compact footprint (1.9 by 2.1 inches), and a convenient built-in telescoping hood. Despite its near-perfection, the lens has distinct cons, most notably its astronomically high retail cost ($7,195 list price), which actually exceeds the price of the latest digital M camera bodies. From a usability standpoint, it is strictly a manual focus lens, and its physical rangefinder design limits its close-focusing capabilities to 0.7 meters. Furthermore, despite its tiny physical dimensions, the extensive use of high-quality glass elements...

In his review of the Leica APO Summicron-M 50mm lens on the Stephen Cosh Photography Blog, the author concludes after six months of exclusive use that it is the best lens he has ever operated, particularly when paired with a black-and-white Monochrom Typ 246 sensor. He praises its exceptional pros, emphasizing its unmatched aspherical sharpness and high contrast, which provide incredible 3D-like subject separation wide open. Additionally, its color rendering is highly accurate, displaying minimal chromatic aberration on color sensors. He highlights its robust physical build quality, featuring a genius built-in lens hood and a highly practical design for street photography due to its short, precise focus ring travel, short length (under 50mm), and lightweight body (300g). Despite his high praise, the reviewer acknowledges a few notable cons, primarily its extreme financial cost of £5200 / $8000 / €7150, noting that it is not twice as good as the half-priced 50mm Summilux. In terms of optical character, he points out that its out-of-focus background rendition is not quite as creamy as the Summilux's bokeh, though it remains clean, charming, and...

Leica 50mm APO-Summicron Review Summary The Leica 50mm APO-Summicron-M ASPH f/2.0 is highly praised for its unmatched technical precision, delivering a remarkably natural, crisp, and neutral rendition often compared to medium format quality when pixel-peeping. Lens designer Peter Karbe highlights that its main mechanical triumph is a rapid contrast fall-off outside the focal plane, which creates high contrast on the focus point while the background drops off quickly. Its apochromatic (APO) design effectively eliminates most color aberrations, resulting in extraordinarily lively, clear, and realistic colors. Furthermore, it excels in low-light environments by maintaining extreme clarity and resolving fine structural details within deep shadows without adding a muddy look. Despite its optical perfection, the lens has several distinct drawbacks, most notably its astronomical retail price tag, which is primarily driven by the meticulous, high-precision assembly process required for its compact housing. Because it lacks a distinct visual "fingerprint" or signature bokeh character like the dreamy Noctilux f/0.95 or the classic Summicron Version II, the imagery can feel clinical, neutral, and emotionally understated to some photographers. It is also prone to user...

The Shutterbug review highlights the Leica M 50mm APO-Summicron-M as a masterpiece of engineering, boasting exceptional build quality, a whisper-smooth helical, and an apochromatic design that eliminates color aberrations for unparalleled image sharpness. Its compact, robust construction pairs perfectly with rangefinder bodies, offering a superior manual shooting experience. Conversely, the lens comes with a staggering price tag, positioning it as a luxury item rather than an accessible tool. Additionally, users must rely entirely on manual focus and accept a maximum aperture of f/2.0, sacrificing the extra stop of light found in faster lenses for the sake of clinical optical performance.

The Leica 50 Summicron f/2 APO is a technically flawless, ultra-compact prime lens that delivers unmatched sharpness, micro-contrast, and color fidelity across the entire frame, even when shot wide open at f/2. It provides a smooth, "rounded" medium-format-like rendering with virtually zero distortion, near-perfect chromatic aberration control, and highly improved bokeh that avoids the "busy" look of previous versions. Its physical construction offers exceptional German craftsmanship, boasting a tiny footprint, a focus tab, and an elegant, smooth twist-out built-in lens hood. However, the lens has a few notable drawbacks, primarily its astronomical price tag of $7,350 and an extensive dealer waitlist of 9 to 24 months. While newer batches have resolved a severe central veiling flare issue found in earlier production runs, a minor physical flaw remains: the aperture ring is slightly too loose, causing it to accidentally slip from f/2 to f/2.8 during handling. There is also slight vignetting when wide open, though this minor optical imperfection often artistically enhances the final image.

The Leica Monochrom is a fantastic digital camera that delivers astonishing resolution, exceptional image quality, and a familiar operational feel for 35mm black-and-white film shooters. Its core strengths include a highly sensitive sensor with beautiful tonality, adjustable ISO settings that outclass film in low-light environments, and a swift 1/4000 s shutter speed. The camera integrates seamlessly into existing workflows, performing flawlessly with a wide range of vintage and modern rangefinder lenses without severe vignetting or focus errors. Furthermore, digital noise remains virtually nonexistent at lower ISOs and stays relatively unobtrusive up to ISO 2500, offering cleaner results than traditional T-Max 400 film. However, transitioning to the Monochrom requires precise exposure adjustments due to its strict digital limitations. Unlike negative film, which possesses a wide exposure latitude that tolerates overexposure, the Monochrom easily suffers from permanently blown highlights, requiring users to carefully "meter for the highlights". This center-weighted metering process can be tricky, often demanding multiple shots to find the correct balance without killing shadow detail. Additional drawbacks include a rear screen that is difficult to read under bright daylight, the...

The Leica M Monochrom is a specialized full-frame digital rangefinder camera codenamed "Henri" that exclusively captures black-and-white images. By completely eliminating the Color Filter Array (CFA) found on traditional color sensors, the camera skips the standard image interpolation (demosaicing) process. This architectural change allows each individual pixel to native-record pure luminance data. Tested alongside the highly regarded 50mm APO-Summicron ASPH lens, the camera captures visceral, hyper-realistic images rich in fine texture and broad dynamic range that easily outperform black-and-white conversions from color bodies like the Leica M9. Pros & Cons Pros: Exceptional low-light performance with a 2.5 to 3-stop noise advantage over the M9, delivering tight, film-like grain structure even at ISO 10,000. It features an advanced 14-bit RAW histogram with clipping warnings to meticulously track exposures. The removal of the CFA translates to staggering per-pixel sharpness, and the camera boasts a stealthy, unbranded matte-black body layout. Cons: The sensor is entirely unforgiving with overexposure; blown highlights contain zero "reserve" data and are permanently unrecoverable. The baseline ISO jumps to 320, meaning shooting wide-open in daylight easily maxes out the...

The Leica M Monochrom is a specialized digital rangefinder camera designed specifically for black-and-white photography, removing the traditional Bayer color filter to capture light directly. In this hands-on review of a pre-production model paired with the APO-Summicron-M 50mm f/2 ASPH lens, the reviewer highly praises the camera's ability to retain ultra-fine detail and deliver a remarkably wide tonal range. A standout feature is its low-light capability, rendering highly impressive, gorgeous JPEG images even at extreme sensitivities like ISO 8000 and ISO 10,000. This design creates a purer approach to black-and-white composition and exposure compared to shooting on a standard color camera and converting the files later. Despite the excellent file richness, the camera presents a unique set of drawbacks and adjustments for the user. Processing the Monochrom files is entirely different from standard bodies like the Leica M9, demanding new editing workflows to fully exploit the sensor's data. Users who enjoy manipulating color channels during post-processing conversion will lose that specific creative freedom. Additionally, comments highlight that the camera lacks low base ISO settings (such as ISO 80), meaning photographers...

The Leica M Monochrom is a highly specialised digital camera praised for its understated, stealth design (lacking the classic red dot and logo) and its ability to capture exceptionally pure images due to the absence of an RGB colour filter over its Kodak Truesense sensor. Reviewers highlight its complex and refined tonal range, noting that RAW files capture significantly more shadow and highlight detail than typical negative films. The camera's digital noise is another major asset, exhibiting a soft, film-like aesthetic that works optimally within the ISO 3200 to 6400 range for low-light photography. By forcing photographers to conceptually "think in black and white," the device serves as a powerful creative catalyst that elevates framing, contrast choice, and composition. Despite its superb optical purity and hand-made premium build, the camera suffers from several distinct hardware limitations. A prominent flaw is its slow frame buffer, which fills up after continuously shooting just 4 to 5 single frames, forcing the photographer to wait 15 to 30 seconds for it to clear. Furthermore, the 2.5-inch TFT LCD screen is criticised as subpar and...

Tech writer David English highly praises the Leica APO-Summicron-M 50mm f/2 ASPH lens as a nearly perfect creative tool, particularly when paired with the Leica M Monochrom camera. The foremost pros of this lens include its exceptional, uniform sharpness and clarity across the entire full-frame sensor, exhibiting no noticeable drop-off from the center to the extreme edges. It provides hyper-real exactness, true-to-life detail, and a distinct film-like quality that captures solid, non-brash contrast with smooth light dispersal. This ultra-precise rendering makes it an outstanding choice for street photography, rendering subjects with a striking tableau effect against their backgrounds. However, the review and English's initial apprehensions also highlight a few key cons of the lens. Its absolute exactness can border on being too precise, lacking the dreamy, ethereal out-of-focus rendering found in its cousin, the Leica Summilux-M 50mm f/1.4 ASPH. Photographers looking for a more romantic or softer vintage character may find its clinical accuracy less appealing. Additionally, it sacrifices a full stop of light compared to f/1.4 lenses, which can limit low-light flexibility, and it demands a substantial premium in...