Blackmagic Pocket Cinema Camera Bewertung | 108 Daten im Vergleich

The Blackmagic Pocket Cinema Camera delivers an extraordinary, film-like 10bit ProRes image output that mimics a digital film workflow at an accessible $999 price point. Its Super 16mm sensor is a major advantage for using vintage lenses and managing focus, providing excellent organic color depth and subtle highlights without digital compression artifacts. Filmmakers benefit from an efficient post-production routine, as the files grade beautifully using tools like FilmConvert in Premiere without requiring time-consuming transcoding. Furthermore, the camera's battery meter performs reliably with linear 1% step tracking, and the main system power draw comes primarily from the sensor rather than the recording codec. However, the hardware and software suffer from prominent, unrefined design flaws stemming from Blackmagic's early days in camera production. The camera's menu architecture is poorly optimized, burying vital exposure settings like ISO beneath five date and time boxes. Critical physical components are also awkwardly placed, such as the top-plate record button being located too far back and the SD card slot sitting underneath the body behind the battery door, making it inaccessible on a rig. Functionally, the device...

The Definition Magazine review highlights the Blackmagic Design Pocket Cinema Camera as a groundbreaking yet flawed tool that delivers professional Super 16mm-style image quality in a highly compact form factor. On the positive side (pros), the camera features a solid, beautifully engineered anodized aluminum chassis and an active Micro Four Thirds lens mount capable of electronic aperture and stabilization control. Its standout achievement is its incredible 13-stop dynamic range, which—when shot in "Film" mode and properly processed in the included DaVinci Resolve Lite software—produces outstanding, richly detailed, and professional-looking images. Additionally, its low retail price (£665 plus VAT) and consumer-like appearance make it both affordable and highly effective for surreptitious filming. However, the review points out several significant pre-production limitations (cons), heavily stemming from unfinished firmware and hardware oversights. Key drawbacks include an abysmal battery life due to a complete lack of power-saving features, the absence of on-screen audio meters, and no storage capacity indicator for the SD cards. The physical interface is also problematic: the 3.5" LCD screen is entirely unusable in bright sunlight without an external shade, the...

The Blackmagic Pocket Cinema Camera (BMPCC) is a highly capable, ultra-compact device featuring a Super 16mm-sized sensor that records high-quality 1080p video with exceptional dynamic range and highly gradable color. In real-world testing, its diminutive size—comparable to an iPhone—proved to be its greatest asset, making it incredibly stealthy for low-profile shooting and effortless to mount on lightweight stabilizers or vehicles. The reviewer successfully utilized it at 1600 ISO for low-light night shoots with great results and snuck it into a restrictive concert venue without alerting security. Ultimately, it functions perfectly as an easy-to-use, budget-friendly "B-camera" or airborne secondary camera for broadcasters and photojournalists. However, the camera comes with notable physical and workflow limitations. Its prominent pros include its pocketable footprint, excellent color science, strong dynamic range, price point, and helpful focus assist tools. On the downside, its built-in microphone delivers subpar audio quality, requiring users to rely on external adapters and gear for proper sound recording. The built-in screen is also difficult to view in harsh daylight, necessitating an external monitor or loupe to guarantee accurate exposure and focus. Finally,...

The Blackmagic Cinema Camera (EF model) is an interchangeable-lens, single-sensor camera that delivers exceptionally crisp images with wide dynamic range by utilizing log-encoded recording to CinemaDNG raw files and skipping an optical low-pass filter. Priced at $1,995, it boasts high-end features such as 10-bit HD-SDI output, Thunderbolt connectivity, robust steel-plated mounting points, and dual 1/4-inch phone jacks for professional mic/line-level audio inputs. It is highly versatile with power management, utilizing a built-in 90-minute battery that seamlessly switches to external sources without dropping frames. Additionally, its user interface is simple and straightforward, appealing to filmmakers who prefer the operational simplicity of traditional film cameras.

The original Blackmagic Pocket Cinema Camera (BMPCC) is a highly capable yet quirky device that delivers stunning, film-like image quality worthy of the silver screen. Its standout features include the ability to record in high-quality ProRes and raw formats, an impressive 13 stops of dynamic range, and a highly versatile Micro Four Thirds lens mount that easily pairs with affordable, vintage Super 16mm lenses. The camera's ultra-compact, lightweight body allows it to look like a cheap point-and-shoot camera, making it an exceptional stealthy tool for documentary filmmaking and capturing authentic real-life events unnoticed in public places. However, the reviewer highlights several significant operational drawbacks that require a substantial investment in extra accessories. The battery life is notoriously poor, lasting under an hour per charge, and requires two hours to juice up inside the camera since it lacks an auto-power-off feature. Furthermore, internal audio recording is virtually unusable due to a high-pitched "cicada-like" camera noise, necessitating an external audio recorder. Finally, the camera lacks vital operating features such as a thumbnail clip viewer, internal storage formatting, an audio monitor, and a...

The EOSHD final review frames the original Blackmagic Pocket Cinema Camera (BMPCC) as a ground-breaking, highly accessible digital film negative tool that completely disrupts the $999 video market. On the positive side, reviewer Andrew Reid heavily praises its beautiful, highly organic image quality, which boasts a broad 13-stop dynamic range and pristine 10bit 4:2:2 ProRes 422 HQ recording that outclasses traditional DSLRs. He highlights its incredible adaptable Micro Four Thirds mount, noting that when paired with a Metabones Speed Booster, its Super 16mm sensor gains astonishing low-light performance capable of shooting clean footage at ISO 1600. The camera's form factor is celebrated for being tiny and lightweight, encouraging a highly immersive, "pure directing" style without requiring heavy external rigging. Additionally, the inclusion of visually lossless 2:1 CinemaDNG RAW recording offers an endless amount of grading flexibility inside DaVinci Resolve. However, the review details several harsh operational compromises that keep it from being a straightforward commercial powerhouse. A major con is the camera’s internal audio performance, described as lacking poor pre-amps and highly noisy internal circuitry. Reid strongly criticizes a frustrating...

The Blackmagic Pocket Cinema Camera (BMPCC) is a compact, affordable alternative to larger cinema cameras that delivers exceptional 10-bit image quality, impressive dynamic range, and a pleasingly fine film grain. Its ability to retain detail in both bright highlights and low-light environments provides immense flexibility during color correction, outperforming standard 8-bit DSLR footage. However, these benefits come at the cost of a significantly more demanding post-production workflow, as the camera lacks advanced audio controls and generates massive files that require intensive grading and substantial hard drive storage. The reviewer highlights several logistical and physical drawbacks, including severe shipping delays from the manufacturer and a highly restrictive x3 crop factor due to the Micro Four Thirds lens mount, making wide shots difficult to achieve. Battery life is also exceptionally poor, lasting only about an hour per charge, which requires users to carry multiple backups or rely on bulky external battery packs. Ultimately, while the BMPCC is not a versatile "run-and-gun" camera like the Canon 5D Mark III, its professional-grade imagery makes it a powerful, specialized tool for specific productions.

In his review of ⁠The Blackmagic Production Camera and Pocket Camera for Filmmaker Magazine, filmmaker Jamie Stuart praises Blackmagic Design's lineup as highly practical, cost-effective options for DIY filmmakers who prioritize excellent image quality. Testing the 4K Production Camera alongside his personal 1080p Pocket Cinema Camera, Stuart notes major pros, including the Production Camera's beautiful high-resolution images, phenomenal highlight recovery in RAW mode, intuitive touchscreen menu interface, solid physical build, and a global shutter that completely eliminates rolling shutter jello-effects. He also commends the smaller Pocket Camera for its exceptional low-light capabilities when paired with a Metabones Speed Booster, noting that it delivers clean, beautiful images in near-dark conditions. However, Stuart does not shy away from the prominent downsides of these devices. A primary con of the Production Camera is its lack of low-light sensitivity, forcing Stuart to make the creative decision to shoot his test project entirely during the day. He also details severe workflow bottlenecks, explaining that processing the dense 4K RAW files on a top-tier MacBook Pro slowed conversion down to a painful 2.5 frames per second,...

The Blackmagic Design Pocket Cinema Camera (BMPCC) firmware v1.5 update transforms the device from a promising prototype into a highly capable tool that rivals traditional 16mm film. The most significant enhancement is the addition of 12-bit, lossless compressed CinemaDNG RAW recording, which maximizes the 13 stops of dynamic range from its Super 16-sized sensor. Paired with a decoder update in DaVinci Resolve 10, the camera produces astoundingly sharp images with smooth tonality and minimal noise right out of the software, resolving previous issues like highlight blooming and the overexposed "black sun" bug. Despite its cheap price point and tiny form factor, the updated camera delivers high-quality footage that can easily intercut with or outperform HD cameras costing ten times more. However, the review notes that several hardware and processing limitations still remain after the update. On the downside, the camera still exhibits rolling shutter artifacts, and the higher resolution of RAW footage slightly worsens visible moiré compared to ProRes. Furthermore, critical operational shortcomings persist, including poor battery life, low audio quality, and a lack of on-screen notifications for both audio...

The Blackmagic Design Pocket Cinema Camera offers exceptional image quality and up to 13 stops of dynamic range in a highly portable, magnesium alloy body resembling a point-and-shoot camera. Priced affordably at $1,000, it captures full HD 1080p video using the high-bitrate Apple ProRes 422 (HQ) codec via an active Micro Four Thirds lens mount. The resulting "Film" dynamic range mode files provide a very flat image that allows for impressive creative latitude and color depth during post-production color grading with the included DaVinci Resolve Lite software. The camera body feels remarkably dense and solid, and it features multiple 1/4-20-inch thread mounts, standard 3.5mm audio ports, and a LANC remote port. However, achieving these high-end cinematic results requires a substantial investment in external production gear and introduces several operational hurdles. The fixed 3.5-inch LCD screen makes outdoor monitoring and manual focusing incredibly difficult without an external field monitor, and the display completely lacks a memory card space indicator. Furthermore, the internal EN-EL20 battery drains at an alarming rate, yielding a short runtime that demands carrying multiple spares. The native Super...

The Blackmagic Pocket Cinema Camera offers impressive high-end filmmaking capabilities within a highly portable, budget-friendly $1,000 body. Filmmaker Bojan Dulabic notes that the camera shines because it records natively in ProRes HQ and Camera RAW. This provides incredible data flexibility for extensive color grading without losing quality through file upconversion. While often rigged up with extensive accessories, the camera is compact enough to be used completely bare-bones on a simple tripod for quick, high-quality establishing shots. Additionally, Blackmagic regularly supports the system by providing major, feature-expanding software updates for free. However, the camera suffers from significant practical limitations that require costly or cumbersome workarounds. The stock 800mAh battery is virtually useless, lasting only 30 to 40 minutes and forcing filmmakers to rely on external power setups or multiple spares. Because it captures massive ProRes and RAW data files, it demands expensive, high-speed SanDisk Extreme Pro SD cards. These cards can quickly fill up, yielding as little as 12 minutes of 24fps RAW footage on a 64GB card. The Micro Four Thirds sensor imposes a heavy 2.88x crop factor, which multiplies...