Nikon NIKKOR Z 28mm F 2 8 Bewertung | 54 Daten im Vergleich

The Photography Life review of the Nikon Z 28mm f/2.8 highlights the lens as a highly portable, budget-friendly prime designed for travel and hiking, offering excellent value with its low 155-gram weight. Its primary strengths include tight build tolerances, fast autofocus, and smooth bokeh, with better overall performance and corner sharpness compared to the more expensive Z 26mm f/2.8. However, the lens compromises on build and optical quality to achieve its low price point, featuring a plastic mount, no weather-sealing, and high levels of distortion, vignetting, and chromatic aberration. It also displays weak flare resistance and offers little advantage over standard zoom lenses, making it a niche, lightweight option rather than an S-line performer.

The Nikon Nikkor Z 28mm f/2.8 is a compact, lightweight prime lens designed for full-frame Z-mount cameras, balancing strong everyday performance with great value. On the positive side, it delivers impressive image quality, providing a very sharp center at f/2.8 that becomes uniformly sharp across the frame when stopped down to f/4 and f/8. Its two aspherical lens elements and Super Integrated Coating keep contrast snappy for a budget optic. Furthermore, it boasts an impressive minimum focus distance of 7.5 inches (19 cm), allowing for close-up perspective isolation. It is highly versatile, acting as a wide-angle lens on full-frame bodies or as a 42mm-equivalent standard lens on crop-sensor cameras. However, this standard Nikkor lens comes with notable downsides, as it lacks the premium build, advanced coatings, and controls found on Nikon's S-Line optics. The exterior construction is strictly plastic, featuring only a single multi-functional focus control ring without physical autofocus switches or aperture rings. Optically, the lens suffers from heavy vignetting at f/2.8 and is highly prone to rampant flare and ghosting when shooting directly into strong backlighting. It also...

The NIKKOR Z 28mm f2.8 is an affordable, lightweight, and compact wide-angle prime lens designed for Nikon’s full-frame and APS-C mirrorless cameras. Ideal for street photography, casual daily use, and video, it delivers impressive sharpness in the center of the frame alongside excellent color, contrast, and a classic "micro-contrast" pop. Built primarily from plastic, the lens features a single-barrel internal focusing system that offers fast, silent autofocus and reliable weather and dust sealing. Additionally, its 28mm focal length acts as a versatile 42mm equivalent when used on APS-C bodies, cropping out many of the lens's edge-related optical flaws. However, the lens comes with notable compromises, most significantly severe vignetting when shooting directly into bright light sources or the sun. Image quality and sharpness also visibly fall off toward the edges and corners due to directional smearing and chromatic aberration, making it less than ideal for large-print landscape photography. Out-of-focus areas can suffer from a distracting, "chattery" or nervous background bokeh when subjects are close to the background, and the lens shows mild distortion. Despite these edge defects and its plastic...

The Have Camera Will Travel review highlights the Nikon Z 28mm f/2.8 as a compact, budget-friendly prime lens offering strong optical performance, low-light capabilities, and a close 19cm minimum focusing distance. Designed for both full-frame and DX-format mirrorless users, it is considered a highly portable option for street and travel photography. Have Key drawbacks noted in the review include the lack of built-in optical vibration reduction (VR) and notable softness in the extreme corners of the frame. While designed to be an accessible, high-utility lens, the 28mm f/2.8 sacrifices edge-to-edge sharpness for a lower price point.

The PetaPixel review of the Nikon Z 28mm f/2.8 lens highlights it as a highly capable and exceptionally affordable "pocket" lens that packs a massive punch for its $297 USD price tag. On the positive side (pros), this ultra-compact prime lens is praised for being remarkably lightweight at just 155 grams, making it a perfect discreet companion for travel and street photography. It delivers clean, sharp images with an optimal sweet spot between f/5.6 and f/8, features a 7.5-inch close focusing distance that creates great subject separation, and utilizes an incredibly fast, quiet, and reliable autofocus motor that is ideal for both stills and videography. Additionally, its single clickless control ring can be fully customized to adjust focus, aperture, or exposure settings. However, the lens comes with several notable compromises (cons) due to its budget nature and lack of the premium Nikon "S-line" designation. Its build quality relies heavily on a plastic frame and lens mount, giving it a more fragile feel than high-end alternatives. Optically, the reviewer noted visible vignetting and minor aberration when shooting wide open at f/2.8,...

However, achieving this portability and budget-friendly price point required clear hardware compromises. The lens features a slower f2.8 maximum focal ratio, lacks built-in optical image stabilisation, and omits premium coatings like Nano-Coating. Optically, its contrast and sharpness fall below the standards set by Nikon's higher-tier S-line optics, though stopping down to f4.0 yields very satisfying results. Physically, the build incorporates a cheaper plastic mount, lacks a rubber gasket for environmental sealing at the lens-mount interface, and ships without a lens hood or protective pouch.

The ePHOTOzine review highlights the Nikon Nikkor Z 28mm f/2.8 as a lightweight (155g), compact, and affordable full-frame lens, featuring dust/drip resistance and excellent central sharpness that becomes outstanding between f/4 and f/8. Key advantages include rapid, near-silent autofocus, minimal focus breathing, and smooth bokeh, making it ideal for travel, street, and casual video use. While offering high center performance, the review notes compromises such as lower edge sharpness, high vignetting at wide apertures, and a lack of physical AF/MF switches. Additionally, the lens is constructed with a plastic mount, and a lens hood is not included in the box. For the full, detailed review, visit ePHOTOzine.