Sony E 16mm F2 8 Bewertung | 54 Daten im Vergleich

The Sony E 16mm f/2.8 (SEL16F28) is an ultra-compact, 70-gram pancake prime lens praised by Imaging Resource for its high portability, fast internal autofocus, and smooth manual focus mechanism with automatic magnification support. It offers a 7-blade circular aperture, providing a pleasing bokeh for an APS-C wide-angle option. Conversely, the review notes significant limitations, including noticeable softness across the frame at f/2.8 and a very low 0.073x maximum magnification, making it poor for close-up work. Additionally, the lens suffers from lack of image stabilization and uneven weight distribution on smaller bodies.

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The Sony E 16mm f/2.8 Pancake Lens (SEL16F28) is an ultra-compact, lightweight APS-C lens designed for Sony's E-mount mirrorless cameras, offering a wide 24mm equivalent focal length. The reviewer notes that its tiny profile makes camera bodies highly pocketable and praises its quick, quiet internal stepping motor, which makes it an excellent, highly portable option for vloggers and video capture. Built with a durable aluminum alloy barrel and metal mount, the lens features a 7-blade circular aperture for pleasing background bokeh, a close 9.4-inch minimum focus distance, and Direct Manual Focus (DMF) for seamless adjustments. Additionally, it is uniquely compatible with dedicated ultra-wide and fisheye front lens converters to further expand its creative fields of view. While the lens offers great value at around $250, its optical performance shows clear limitations in lab and real-world testing. On the positive side, the pros highlight its exceptional center sharpness, robust metal build, quiet autofocusing, and incredibly lightweight 70g footprint. However, the cons include noticeable softness and heavy vignetting in the corners when shooting wide open at f/2.8, along with visible distortion and...

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The Sony 16mm f/2.8 is described by Ken Rockwell as an ultra-compact, lightweight pancake lens with very fast and silent autofocus. Weighing only 2.3 oz., this plastic-built, five-element lens acts as a 24mm equivalent on APS-C cameras, offering excellent resistance to flare and compatibility with wide-angle converters. Conversely, the review identifies the lens as one of the softest modern options, featuring significant corner softness and mushy image quality at wider apertures. To achieve acceptable edge-to-edge sharpness, stopping down to f/11 or f/16 is required, and the lens lacks optical stabilization and direct mechanical manual focus.

📸 Sony 16mm f/2.8 Review Summary The Sony 16mm f/2.8 is an ultra-light, 3.5oz pancake lens that turns mirrorless cameras into pocketable travel rigs. Priced at $250, it features a 49mm filter thread, 7 diaphragm blades, and an 83° field of view. Its main pros are its incredibly compact 0.8-inch size, budget-friendly cost, and great performance for on-trail selfies or web use. It is ideal for hiking and backpacking due to its low weight.

The Sony E 16mm f/2.8 pancake lens is heavily criticised for its poor optical performance, particularly its "hopeless" corner softness, which indicates that Sony sacrificed sharpness across the frame to achieve a compact and lightweight design. Released in 2010, this prime lens lacks the versatility of early Sony zoom options like the 18-55mm, and it lacks Optical SteadyShot (OSS) image stabilisation. Additionally, its 24mm full-frame equivalent focal length makes background separation difficult, hindering its effectiveness for traditional portrait photography. A final design complaint is that Sony continues to sell the lens exclusively in a silver finish, limiting aesthetic choices for users. Despite these prominent optical flaws, the lens provides notable value due to its portability, decent autofocus performance, and budget-friendly appeal on the used market. The reviewer notes that its central sharpness remains decent for a pancake design. Its standout feature is its compatibility with physical front-mount adapters, such as an ultrawide converter that transforms the lens into a highly functional 12mm equivalent setup. Because of this compact combination, the reviewer and commenters find themselves frequently utilizing the lens for...

The Sony E 16mm F2.8 is an incredibly compact and lightweight pancake lens designed for Sony's APS-C mirrorless cameras, offering a wide 24mm equivalent angle of view at an affordable price. Despite its highly portable physical build—measuring just 0.9 by 2.4 inches and weighing a mere 2.4 ounces—the lens suffers from dated optics since it has not been updated since its 2010 debut. In testing, its center-weighted sharpness is quite poor when wide open at f/2.8, scoring only 1,432 lines due to blurry results outside the immediate center of the frame. Additionally, it lacks built-in image stabilization and fails to support modern phase-detection autofocus, limiting users to contrast focus which causes a disconcerting wobbling effect in continuous autofocus (AF-C) mode. While the lens has significant drawbacks at wide apertures, it does improve noticeably when stopped down, finally delivering sharp results across the entire frame at f/5.6, f/8, and f/11. It also exhibits only modest amounts of mustache distortion (1.3 percent) and corner vignetting (-1.6EV) when shooting wide open. Ultimately, PCMag awards the lens a mediocre 2.5 out of 5 ("Fair")...

The Sony E 16mm F2.8 is an ultra-compact pancake prime lens designed for Sony’s APS-C mirrorless cameras, offering a wide 24mm equivalent angle of view. Its primary advantages are its highly portable form factor—measuring just 0.9 by 2.4 inches and weighing a mere 2.4 ounces—and its highly affordable price point. The physical build features a lightweight metal barrel with a smooth, electronic manual focus ring. Additionally, it offers unique flexibility through compatibility with dedicated ultra-wide and fisheye converters, as well as standard 49mm filters. However, as one of Sony's oldest mirrorless lenses dating back to 2010, its dated optics struggle heavily to resolve detail on modern high-resolution sensors. Image quality is a major drawback; the lens suffers from middling sharpness that remains quite blurry outside the dead center until it is stopped down to f/5.6. It also exhibits modest vignette wide open, complex mustache-pattern distortion, and visible lens flare due to the lack of an included hood. Furthermore, the lens lacks internal image stabilization, features a paltry 1:12.8 magnification ratio that limits close-up work, and cannot utilize modern phase-detection autofocus,...