Tokina 11 16mm F 2 8 AT-X Pro DX II Bewertung | 54 Daten im Vergleich

The Tokina 11-16mm f/2.8 AT-X Pro DX II lens is lauded by The Digital Picture as a robust, high-performance ultra-wide zoom for APS-C cameras, featuring a constant f/2.8 aperture, exceptional center sharpness, and a convenient one-touch focus clutch. However, the review notes drawbacks including a very short 1.45x zoom range, significant corner vignetting at 11mm f/2.8, noticeable chromatic aberrations, and loud, slow autofocus.

The LensTip review of the Tokina AT-X 116 PRO DX II AF 11-16 mm f/2.8 concludes that it is a unique, high-performing ultra-wide zoom lens designed for APS-C sensors, though it carries substantial optical flaws. On the positive side, the lens features a very solidly built casing with sensible dimensions and provides excellent image quality in the frame centre alongside good quality at the edges. It is highly praised for its fast, constant f/2.8 maximum aperture, virtually imperceptible longitudinal chromatic aberration, proper correction of astigmatism, and low vignetting levels for its equipment class. Combined with minimal barrel distortion, LensTip highlights its excellent price-to-quality and price-to-possibilities ratio.

in english language, be very specific, mention pros and cons inside You sent: 1 tab and said: 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside Secondhand Saviour: Fstoppers Reviews the Tokina AT-X 116 PRO DX-II 11-16mm f/2.8 | Fstoppers 2 paragraphs summary of this review in english language, be very specific, mention pros and cons inside

The Tokina 11-16mm f/2.8 AT-X Pro DX II is a fast, constant f/2.8 ultra-wide-angle zoom lens designed for APS-C sensor cameras, providing an equivalent full-frame field of view of 18–26mm. Testing on a Nikon D3200 highlights that this updated version includes a built-in autofocus motor, making it fully compatible with cheaper DSLR bodies that lack internal motors. Optically, the lens delivers high sharpness, particularly in the center with over 2,000 lines per picture height. Chromatic aberration and distortion are effectively mitigated by using Adobe Lightroom lens correction profiles rather than unpredictable in-camera fixes. Additionally, an added nano-coating successfully reduces internal reflections and ghosting compared to its predecessor. The primary advantages of the lens are its exceptional optical performance, high center resolution, fast f/2.8 constant aperture, and robust Pro-series build quality with smooth rings and quick autofocus. However, the lens does present several drawbacks, including the total absence of built-in image stabilization and corner sharpness that is noticeably lower than the center. The autofocus motor is also clearly audible during operation. Furthermore, the background bokeh is somewhat rough and shows visible...

📸 Lens Review Summary This review from ⁠Gough's Tech Zone covers the ⁠Tokina 11-16mm f/2.8 AT-X 116 PRO DX II ultra-wide-angle zoom lens tested on a 24-megapixel ⁠Nikon D3300 crop-sensor camera. The reviewer found the lens to be a fast, budget-friendly option for DX shooters, offering solid build quality with quiet, responsive micromotor autofocusing. Image sharpness proved highly impressive, capturing clean details even on a demanding high-resolution DX sensor. The physical design features a smooth zoom ring and a unique clutch mechanism that pulls the focus ring backward to smoothly switch into manual focus mode. On the downside, the lens suffers from heavy chromatic aberration in the corners, though this can be largely corrected during post-processing. It also flares severely under direct sunlight, which can ruin shots with distracting bright patches. Additionally, weighing over 500 grams, the lens is quite heavy for travel, and its 11-16mm focal span feels more like a minor adjustment than a true versatile zoom range. The package lacks basic extras like a lens pouch, and the massive 77mm front thread forces users to purchase pricey...

The ⁠Tokina 11-16mm f/2.8 AT-X116 Pro DX II is a highly reliable ultra-wide-angle zoom lens designed for APS-C (crop sensor) cameras, proving especially excellent for night skies and aurora photography. It provides a sub-$500 budget-friendly price point while maintaining a durable, backpack-friendly build that weighs only 1.2 lbs. Optically, the lens delivers impressively crisp images across the center, paired with a quiet and accurate internal silent focusing motor. One of its standout pros is the One-touch Focus Clutch mechanism, which allows the photographer to easily slide the focus ring to lock in manual infinity focus for stars without fear of accidentally bumping it out of focus. However, the lens does come with noticeable optical limitations, particularly in challenging lighting conditions. Review notes highlight a slight degradation of image sharpness and spherical aberration near the peripheral edges. When shooting during daylight, chromatic aberration and fringing become visible along the borders, though this can be mitigated in post-processing. Additionally, shooting directly into strong light sources like the sun or moon causes a pronounced coma effect. Finally, while its physical build is tough,...

The Tokina AF 11-16mm f/2.8 AT-X Pro DX II is an ultra-wide zoom lens designed for APS-C format cameras that prioritises optical quality and speed over a broad zoom range. Priced competitively around 500 USD/EUR, its primary advantage is a constant f/2.max aperture, making it roughly one stop faster than competing alternatives from Tamron and Canon. The lens features an exceptional build quality, boasting a lightweight yet reassuring "duraluminum" alloy body, smooth rubberised control rings, moisture protection, and an included petal-shaped lens hood. However, the review highlights several notable drawbacks regarding the lens's mechanics and features. A significant con is the outdated micro-motor used for autofocusing, which operates slowly and generates audible noise compared to modern ultrasonic systems. Additionally, the manual focus transition relies on Tokina's "One-touch Focus Clutch" mechanism. This design requires the user to physically push or pull the focus ring to switch between AF and MF modes, a layout that feels distinctly dated in an era where full-time manual override is the industry standard.

Ken Rockwell praises the Tokina 11-16mm f/2.8 II as a robust, professional-grade ultrawide zoom for DX cameras, noting its exceptional center sharpness at f/2.8, constant aperture, and excellent 18-pointed sunstars. It features an internal focus motor and a "One-Touch Focus Clutch" for seamless manual focus transitions. Conversely, the review identifies that the lens suffers from blurry, soft far-corners at large apertures, requiring stopping down to f/11 for peak performance. Furthermore, its narrow 1.45x zoom range offers limited versatility, and the reliance on a third-party AF motor presents potential long-term maintenance risks.