Samyang AF 24 70mm F 2 8 FE Bewertung | 54 Daten im Vergleich

The ePHOTOzine review highlights the Samyang AF 24-70mm f/2.8 FE as a robust, weather-sealed, and versatile standard zoom featuring a parfocal design suitable for both stills and video. It delivers outstanding center sharpness, low vignetting, effective flare control, and fast, accurate autofocus with a "Recommended" rating for its competitive price point. However, the lens is noted for its heavy and stiff zoom ring, soft corner sharpness at wide apertures, high edge chromatic aberration, and significant weight, making it less ideal for, or cumbersome for, handheld use.

The Samyang AF 24-70mm f/2.8 FE is an ambitious first standard zoom lens from the manufacturer that delivers excellent build quality and strong video features at an affordable price undercutting its competitors. Its robust, weather-sealed construction feels highly substantial, though it makes the lens remarkably heavy at over 1 kg. On the positive side, videographers will benefit greatly from its electronically controlled par-focal characteristic that keeps focus locked while zooming, a noiseless linear stepping motor for fast autofocus, and a pleasing bokeh with clean out-of-focus highlights. Additionally, the lens shows very moderate RAW image distortions and better-than-average RAW vignetting control. However, the lens falls short in optical resolution and quality control, making it overall sub-standard for high-megapixel sensors. While center sharpness is excellent, the border and corner resolution is weak at f/2.8, particularly at the 24mm and 70mm focal extremes. The lens also suffers from high lateral chromatic aberrations and strong axial bokeh fringing at wider apertures. Ultimately, a poorly designed lens hood and persistent optical alignment issues (decentering) from manufacturing quality control limit its performance, making it a less...

summary of the review: However, the lens has several drawbacks, primarily its hefty weight of 1,027g and a rather chunky profile that can feel unbalanced on smaller camera bodies. It also lacks built-in optical image stabilization, which relies heavily on the camera body's in-body stabilization, and is missing the physical customizable AF-hold button found on native Sony lenses. Lab tests revealed that the zoom ring is quite stiff, and corner sharpness at 50mm and 70mm is notably poor. Furthermore, lateral chromatic aberration and color fringing are visibly noticeable at all focal lengths—especially at the wider ends—while obvious barrel distortion at 24mm transitions into moderate pincushion distortion at 50mm and beyond.

The Samyang AF 24-70 mm f/2.8 FE review by LensTip outlines the brand's first foray into the standard zoom autofocus market, positioned as a highly budget-friendly, journalistic workhorse. Priced at a competitive $800, it undercuts rival lenses like the Sigma 24-70mm and Sony models. Pros highlighted in the review include its highly affordable price point, solid mechanical build quality, and a customizable control switch on the lens body. The lens features an evenly moving and properly damped zoom ring alongside a focus-by-wire manual focus ring with a generous 180-degree focus throw, which allows for highly precise adjustments. However, the review details several significant cons, leading the author to conclude that the lens did not fully impress. LensTip noted a weak image quality on the edges of the frame, which becomes particularly unacceptable and unusable wide open at the longer 70 mm focal length. Additionally, the lens suffers from noticeable longitudinal chromatic aberration, high coma, an "onion ring" bokeh effect inside defocused circles of light, and severe mechanical vignetting at f/2.8. Its overall dimensions and weight are also noticeably heavier and...