Panasonic LUMIX S 28 200mm F 4 7 1 Macro OIS Bewertung | 54 Daten im Vergleich

The Panasonic 28-200mm f/4-7.1 Macro OIS lens is a lightweight, ultra-portable superzoom designed as a convenient "jack-of-all-trades" for L-mount cameras. Weighing only 413 grams and maintaining a 67mm filter diameter, its main selling points are its compact, weather-sealed build, decent center sharpness at 28mm, and an effective image stabilization system offering just over six stops of correction. It is also highly versatile for multimedia users, boasting a silent stepping autofocus motor, minimal focus breathing, a balanced center of gravity ideal for gimbals, and a 1:2 macro capability at the wide end. However, these portable dimensions require significant optical compromises, starting with a relatively slow f/4-7.1 variable aperture that limits low-light usability. Image quality suffers when shooting toward bright sources due to prominent, distracting ghosting and blurry, uninspiring sunstars. While center sharpness is acceptable, the corners remain blurry across all apertures due to heavy in-camera distortion correction, and the 200mm long end is notably soft. Additionally, out-of-focus backgrounds can appear harsh and busy because of a strong soap-bubble bokeh effect.

The Panasonic Lumix S 28-200mm f/4-7.1 Macro O.I.S. is a highly versatile, first-party superzoom lens designed for the L-mount system, holding the title of the world's smallest and lightest 7x zoom for full-frame cameras. Weighing just 413g and measuring 93.4mm in length, it offers an incredibly compact footprint that shares a 67mm filter thread and a nearly identical size with the Lumix S 20-60mm lens, making it excellent for travel and gimbal balance. In performance testing, the lens delivers impressive central sharpness across the zoom range and features outstanding Dual I.S. 2 image stabilisation that keeps both handheld stills and 200mm video footage remarkably steady. It also boasts a quiet autofocus system, weatherproof construction, and a 0.5x macro capability at the 28mm wide end. However, the lens does come with inherent superzoom compromises. Its chief drawbacks include a slower maximum aperture of f/7.1 at the telephoto end—which forces higher shutter speeds or ISO levels—along with average corner sharpness and noticeable purple fringing in high-contrast areas when zoomed in. Laboratory tests also revealed visible barrel distortion at 28mm that transitions into...

The Panasonic Lumix S 28-200mm F4-7.1 Macro OIS is an exceptionally portable, all-in-one superzoom lens designed for full-frame L-mount mirrorless cameras, priced at $899 / £899. Its standout features include a compact body measuring 93.4mm long and weighing just 413g, making it barely larger than a standard kit zoom lens. It features an optical design of 17 elements in 13 groups to optimize cross-frame sharpness, suppresses focus breathing for videographers, and offers up to 6.5 stops of shake suppression via optical image stabilisation. Additionally, it features a durable, dust- and splash-proof build with a 67mm filter thread and a very short 14cm minimum focus distance that delivers a useful 0.5x macro magnification. The primary advantage (pro) of this lens is its uniquely lightweight and portable package, which delivers very decent, clean, and detailed image quality across the frame without typical DSLR superzoom flaws like distortion and chromatic aberration. Other pros include its versatile 7.1x zoom range, silent and decisive autofocus, and robust weatherproof build. However, the lens comes with notable downsides (cons), most specifically its modest and slow f/4-7.1 maximum...

The Panasonic Lumix S 28-200mm f/4-7.1 lens is a highly compact, versatile all-in-one zoom designed for travel and outdoor event photography. Tested alongside the Lumix S5 II X camera body at a motorcycle show, this full-frame lens stands out as the world's smallest and lightest of its kind, weighing just 413 grams and measuring 93.4mm in length. Major advantages include its weather-sealed build with a fluorine coating, shared 67mm filter thread consistency with Panasonic primes, and a powerful 6.5-stop 5-Axis Dual I.S. 2 image stabilisation system. Additionally, it offers half life-sized macro capabilities (0.5x) at the 28mm wide end, which proves highly effective for capturing intricate close-up details. The primary drawback of the lens is its slow variable aperture rating, starting at f/4 at 28mm and narrowing rapidly to a dim f/7.1 at the 200mm telephoto end. While this slow aperture performs perfectly well under bright, outdoor sunlight, the reviewer notes it is not ideal for low-light environments, evening shooting, or indoor events where a faster prime lens would be preferred. While the general image quality offers good colour and...

In his review for Macfilos, Keith James highly praises the Panasonic Lumix 28-200mm f/4.0-7.1 Macro O.I.S lens as an exceptionally versatile and lightweight "walk-around" companion, especially well-suited for travel photography. Weighing only 413 grams and utilizing a standard 67mm filter thread, its chief pros are its remarkably compact form factor—similar in size to a standard kit zoom or prime lens—and its massive 7x optical zoom range. James emphasizes that shooting at 200mm preserves a crisp 47-megapixel resolution on his Leica SL2, easily outperforming severe digital cropping. Additional pros include impressive image quality across the entire focal range, highly functional built-in optical image stabilization (O.I.S.), and an effective close-up macro mode capable of capturing detailed multi-exposure photo stacks. Conversely, the core compromise of the lens lies in its optical speed, presenting a notable list of cons including a slow, variable maximum aperture that drops from f/4.0 down to f/7.1 at the telephoto end. This restrictive light-gathering capability forces cameras into using high ISO settings during indoor or shaded concert photography. While James notes that modern AI-denoising tools in software like Lightroom...

The Macfilos review highlights the Panasonic Lumix S 28-200mm f/4-7.1 Macro O.I.S. lens as an exceptional, highly flexible single-lens solution for travel photography. Tested on a European river cruise paired with a Leica SL2, the lens excelled at capturing distant subjects like riverside castles and tightly compressed cityscapes. The pros of this L-mount zoom include its remarkably compact form factor, weather-sealed construction, and an incredibly light weight of just 413 grams. Furthermore, it features fast continuous autofocus, built-in optical image stabilization that prevents camera shake, an industry-standard 67mm filter thread, and great macro close-up capabilities. Most importantly, it guarantees impressive image sharpness across all apertures and throughout its entire focal range. However, the reviewer notes specific compromises that users must accept for this level of portability. The primary cons stem from the lens's relatively slow, variable maximum aperture, which starts at f/4 on the wide end and drops down to a dark f/7.1 when zoomed out to 200mm. This slow aperture inherently limits the lens's versatility, causing it to struggle significantly during indoor music events or under low-light conditions. To...

The Panasonic LUMIX S Series 28-200mm f/4-7.1 OIS is a highly versatile, "one-and-done" full-frame zoom lens designed for landscape, portrait, wildlife, and macro photography or video use. Priced at $899 USD, it stands out as the smallest and lightest telephoto full-frame zoom lens on the market, weighing only 413 grams and utilizing a standard 67mm filter thread. Performance pros include excellent sharpness across the focal range, minimal focus breathing, fast linear focus motors, and impressive 0.5x magnification macro performance. It also boasts reliable Optical Image Stabilization (O.I.S.), dust and splash resistance, and next to no noticeable chromatic aberration or color fringing. However, the lens does have a few drawbacks that potential buyers should consider. Its primary limitation is the variable aperture, which drops from f/4 at the 28mm wide end down to f/7.1 at the 200mm telephoto side, limiting physical light intake at longer focal lengths. Additionally, the reviewer noted that a 28mm starting focal length feels a bit too tight and bulky for dedicated vlogging purposes, expressing a clear preference for wider alternatives like a 24mm or 20-60mm lens...

The Panasonic Lumix S 28-200mm F4-7.1 Macro OIS is a highly versatile L-mount "super-zoom" lens noted for being the smallest and lightest full-frame lens of its kind, weighing just 413g. Despite its compact plastic build, it features dust and weather resistance and a metal mount, making it an ideal "one-and-done" choice for travel photographers. Key performance highlights include impressive sharpness across the 7x zoom range, 6.5 stops of optical image stabilisation when paired with camera IBIS, and remarkable macro capabilities that allow for a 0.5x magnification and a minimum focus distance of just 3cm at the wide end. The primary trade-off for its portability is the slow f/4-7.1 aperture range, which results in poor low-light performance and very limited subject separation (bokeh). While the dual-native ISO of cameras like the Lumix S5 II can mitigate noise, users will struggle to achieve a shallow depth of field even at 200mm. Additionally, while the autofocus is quick and accurate for general use, it lacks the specialized speed required for professional sports or wildlife photography. Some instances of flaring and ghosting were also...

The Panasonic Lumix S 28-200mm f/4-7.1 OIS Macro lens is described by ePHOTOzine as a highly versatile, "Highly Recommended" travel zoom, featuring a compact, lightweight design with comprehensive weather sealing. It offers excellent central sharpness, very low distortion, effective OIS, and impressive half life-size macro capabilities, alongside quiet and fast autofocus. The main compromises include the slow f/4-7.1 variable aperture, which limits low-light performance and bokeh potential, along with corner sharpness that is softer than the center. Additionally, the lens relies on mandatory in-camera distortion correction and starts at 28mm rather than 24mm.