Nikon AF NIKKOR 20mm F 2 8D Bewertung | 54 Daten im Vergleich

The LensTip review of the Nikon Nikkor AF 20 mm f/2.8D concludes that this classic, 1990s-designed analogue lens struggles to meet the demands of modern digital reflex cameras. While it was historically well-regarded by film photographers, LensTip notes that its overall optical performance does not hold up well enough against modern f/2.8 zoom lenses to justify its steep $520 retail price. The review ultimately discourages purchasing it due to a highly unfavorable price-to-performance ratio, drawing a parallel to similar disappointing transitions seen with Canon's legacy 20mm prime gear. LensTip.com The evaluation highlights specific optical strengths and weaknesses: Pros: The lens delivers very good image quality in the frame center, exhibits well-corrected astigmatism, and performs correctly against bright light. Additionally, it features a compact yet solid barrel and a reliable autofocus system with no performance reservations. LensTip.com Cons: On the negative side, it suffers from weak image quality on the edges of the frame, high chromatic aberration, and noticeable distortion. Users will also have to contend with visible coma, high vignetting, and a steep price tag. LensTip.com

The Nikkor AF 20mm f/2.8 D is an ultra-wide prime lens evaluated by Markus Stamm on the full-frame Nikon D3x camera body. Originally based on an optical design originating from 1984, this modern AF-D version stands out for its lightweight construction at just 270 grams and its highly compact size (69 x 43mm). The build quality is noted as very good, utilizing a polycarbonate outer barrel paired with a durable metal lens mount. Mechanically, its front element does not rotate, facilitating the easy use of polarizers with its 62mm filter thread. Furthermore, it features a smooth rubberized focus ring and reports distance data directly to the camera to optimize flash exposure. However, the review details several clear limitations regarding its design and functionality. The lens lacks an internal autofocus motor, meaning it relies on a mechanical drive screw that creates a moderate amount of noise and completely prevents autofocusing on entry-level Nikon DSLRs. It utilizes a linear extension system where the inner barrel extends forward when focusing down to its minimum distance of 0.25 meters. Additionally, the small rubber focus...

The Opticallimits review of the Nikkor AF 20mm f/2.8 D lens, written by Markus Stamm, evaluates this long-standing wide prime on a Nikon DX (APS-C) format camera. Originating from an optical design introduced in 1984, the AF-D version was launched in 1994 and serves as a full-frame equivalent of roughly a 30mm f/4 lens when mounted on DX bodies like the Nikon D7000. Major advantages highlighted in the introduction include its very good build quality—comprising a polycarbonate outer barrel and a sturdy metal mount—along with its compact, light-weight footprint (270 grams) and affordability compared to faster wide primes. Additionally, its non-rotating front element simplifies the use of polarising filters, and the integrated "D" functionality efficiently reports subject distance data to the camera. However, the review details several clear limitations stemming from its legacy design. The lens relies on a linear extension system where the inner tube moves and extends during focusing, and it notably does not ship with a lens hood, requiring users to buy the HB-4 bayonet hood separately. Crucially, it lacks an internal autofocus motor, meaning autofocus is...

The Jose Rocha Photo review highlights the Nikkor AF 20mm f/2.8 D as a highly compact, lightweight (270g), and solidly built ultra-wide-angle prime lens. Originally announced in 1994, it remains a popular and affordable choice on the used market, especially for mirrorless camera users looking to downsize their gear. Optically, the lens delivers perfect control over chromatic aberrations, showing zero fringing even at its maximum f/2.8 aperture. It features Close-Range Correction (CRC) technology via floating elements, which ensures excellent center sharpness and strong performance when shooting close-up subjects as near as 25 centimeters. Furthermore, it offers a generous focus throw, an easy-to-use manual aperture ring, a hard infinity stop, and a non-rotating front element that facilitates the hassle-free use of polarizers. However, the reviewer points out several significant optical weaknesses inherent to this vintage lens design. Corner resolution is quite poor wide open at f/2.8 and requires stopping down to f/8 or f/11 to achieve homogeneous sharpness across the full frame. Heavy vignetting plagues the lens at wide apertures and never completely disappears until f/22. It is also prone to...

The AF NIKKOR 20mm f/2.8D is a highly versatile legacy lens that, despite not being explicitly designed for digital sensors, delivers performance shockingly similar to modern digital-optimized alternatives. Pros highlighted in the review include its professional-grade, solid build featuring a dull-chromed brass mount, alongside an incredibly compact and lightweight design weighing just 9.5 oz (266g). It offers incredible functional flexibility; it works as a 30mm "street" lens on DX cameras, a fast super-wide lens on FX or 35mm film bodies, and can even be reversed into a high-powered macro lens thanks to its physical aperture ring. Additionally, manual focusing feels smooth and traditional with a direct-coupled focus ring, and Nikon's Super Integrated Coating (SIC) handles ghosting so effectively that an external lens hood is rarely needed.

The Nikkor AF 20mm f/2.8D is highlighted as an exceptionally useful and versatile ultra-wide-angle prime lens suitable for both 35mm film and FX digital formats. It delivers an expansive 94-degree field of view, making it ideal for capturing massive landscapes without fish-eye distortion, as well as shooting "environmental portraits" that place a subject clearly within its surrounding context. Key performance advantages include its highly compact and ultra-lightweight build—weighing only 270 grams and measuring 52mm in length—which makes it a perfect on-the-shoulder companion for travel. Additionally, its complex optical construction of 12 elements in 9 groups allows photographers to achieve a total depth of field from their feet straight to the horizon when stopped down to f/22. It also features a gently moving, rubber-covered manual focus ring and uses relatively inexpensive 62mm filters, offering excellent image quality at roughly half the street price of its wider sibling, the 18mm f/2.8D. Despite its high utility, the review outlines several structural and practical drawbacks to keep in mind before purchasing. The overall build quality is merely labeled as "OK," with its lightweight nature...

The blogger Mani Babbar on FreeBirD provides a favorable review of the Nikkor AF 20mm f/2.8 D full-frame ultra-wide-angle lens, contesting the low ratings it often receives on major technical forums. After successfully purchasing the lens online from ProCameraShop UK, the reviewer tests it primarily on a full-frame Nikon D700 body. The author strongly defends the optic as an excellent, budget-friendly value for travel photography, arguing that users should not unfairly expect the razor-sharp performance of a premium f/1.4 lens from a budget-friendly f/2.8 prime. The core advantages and drawbacks highlighted in the review are: Pros: It offers great ultra-wide coverage—94° on full-frame FX sensors and 70° on DX formats—along with a Close-Range Correction (CRC) system that ensures stable performance at both near and far distances. The reviewer specifically calls out its highly satisfying f/4 sharpness and unbeatable price-to-performance ratio. Cons: The lens features a plastic barrel construction. It lacks the pristine, flawless edge-to-edge sharpness noted in high-end ultra-wide lenses, which is a flaw highlighted by other third-party review platforms.

The Nikon 20mm f/2.8D AF is a fast, remarkably compact, and well-finished ultrawide-angle lens that delivers professional-caliber performance for Nikon enthusiasts. In terms of pros, the lens offers an impressive 94-degree diagonal view angle, minimal barrel distortion (0.45%), and an exceptionally close focusing distance of 10 inches. Laboratory and field testing revealed excellent center sharpness across all apertures, fast autofocus timing, and well-controlled flare with zero visible ghosting. Furthermore, its exposure accuracy at the film plane is better than average for an ultrawide optic, and its manual-focusing ring operates with a very smooth, well-damped action. Despite its outstanding overall performance, the lens does present a few notable cons. There is visible peripheral light falloff at wide apertures, which causes a 1/3-stop underexposure at f/2.8, though this vignette disappears completely by f/5.6. Corner sharpness is also somewhat limited when shooting wide open, registering as merely acceptable at f/2.8 and good at f/4, before finally reaching excellent levels between f/8 and f/16. Additionally, while the autofocus mechanism is fast, it is only moderately quiet rather than completely silent. Lastly, the physical distance...

The Nikon AF Nikkor 20mm f/2.8D is evaluated as a solid wide-angle prime lens, achieving an overall DXOMARK score of 27 when paired with a high-resolution body like the Nikon D800E. According to DXOMARK's technical data, the lens delivers its best optical performance at a focal length of 20mm and stopped down to f/4. Its primary performance pros include a very high sharpness capability peaking at 21 P-Mpix, good light transmission rated at 3.3 TStop, and relatively well-controlled distortion keeping barrel warping to a minimal 0.7%. Furthermore, its lightweight 270g design and physical aperture ring make it a highly portable and compact choice for travel and landscape photography. However, the review also highlights several optical cons inherent to this older lens design, which was originally released in March 1994. The lens struggles notably with heavy vignetting, measuring at a significant -2.2 EV, which leads to noticeable illumination fall-off in the corners of full-frame sensors. Additionally, lateral chromatic aberration is a weak point, peaking at a noticeable 18 µm. This can introduce colored fringing along high-contrast edges in your images. While...