Fujifilm XF 100 400mm F4 5 5 6 R LM OIS WR Bewertung | 54 Daten im Vergleich

The Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR lens is highly praised for its exceptional sharpness across the zoom range, minimal distortion, and effective 5-stop image stabilization. It features fast, silent autofocus, robust weather resistance, and impressive bokeh, making it a versatile choice for wildlife and sports photography. Drawbacks include the high cost, large size, and heavy weight, which can make it feel unbalanced on smaller camera bodies, along with an aperture ring that lacks physical markings. The lens is described as a serious investment designed for performance rather than portability.

The Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR is a highly capable super-telephoto zoom lens that delivers impressive clarity, consistent sharpness across its range, and smooth bokeh similar to prime lenses. It features an outstanding five-stop image stabilization system that makes sharp handheld photography possible even at a maximum 560mm focal length when paired with a 1.4x teleconverter. The build quality is solid with robust weather and dust sealing, a fluorine front coating, and a well-designed lens hood featuring a polarizer adjustment door. Furthermore, its twin linear motor autofocus system operates quietly and is quick enough to seamlessly capture moving subjects like birds and fast boats. Despite its stellar performance, the lens has a few physical and mechanical drawbacks. The zoom ring's rotation is notably stiff and requires extra effort, and the physical build incorporates plastic components to save weight rather than being entirely metal. While the autofocus is reliable for most challenges, it can slow down in low lighting, when tracking serious action, or when shifting focus over large distance gaps. Additionally, the reviewer noted a slight flex...

The Luminous Landscape hands-on review of the Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR lens evaluates its real-world performance during extensive landscape and wildlife shoots in the Palouse and Iceland. The reviewer praises the lens for delivering exceptional center sharpness across the 100-300mm range and highly impressive contrast, outperforming bulky full-frame DSLR equivalents. The lens features premium design attributes like robust weather sealing, smooth mechanical controls, and an excellent 5-stop optical image stabilization (OIS) system that enables effortless handheld shooting at its maximum 600mm full-frame equivalent reach. Its compatibility with the 1.4x teleconverter further enhances its versatility for wildlife photography, delivering highly usable results. Despite the highly positive reception, the review highlights several distinct weaknesses. At its maximum 400mm extension, the lens suffers from slight softness, particularly toward the edges of the frame. Additionally, the autofocus system struggles to lock onto targets when shooting in low-contrast, hazy, or dim environments, sometimes forcing the user to switch to manual focus. Ergonomically, the reviewer notes a frustrating "image drifting" bug when OIS is left on while using a tripod, causing the...

The Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR lens offers an impressive full-frame equivalent reach of 150-600mm, making it a strong tool for wildlife photography, as tested with eagles in Squamish, BC, Canada. The reviewer notes that the lens has a very lightweight design for its telephoto capabilities, weighing 1.375 kg (3 lbs) compared to bulky full-frame setups. Additionally, its optical image stabilizer (OIS) stands out as exceptional, providing rock-solid stabilization in the viewfinder. However, the lens has some noticeable practical drawbacks, such as a zoom mechanism that feels somewhat jerky and uneven to operate. Image quality also falls slightly short of the creator's expectations, particularly for an individual accustomed to shooting with high-end prime lenses. Ultimately, while it has a faster aperture range than options like the XF 150-600mm f/5.6-8, it faces stiff competition from that lens and the more compact XF 70-300mm f/4-5.6.

The Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR is a premium, weather-resistant telephoto zoom lens equivalent to 150-600mm in full-frame terms, making it a highly rewarding tool for daylight wildlife and sports photography. On the positive side, the lens delivers excellent sharpness between 100mm and 350mm (especially at apertures of f/11 and larger), lacks noticeable distortion or chromatic aberration, and features an extraordinarily quick and quiet linear motor auto-focus system. Additionally, its optical image stabilization assists with handheld shooting, and the physical switches for OIS, auto-aperture, and close-focus inhibition provide great tactile control. Conversely, the lens has several notable drawbacks, primarily its massive size, weighing over three pounds and extending up to 11 inches, which makes manual handheld focusing quite awkward. Its optical performance degrades past 350mm, suffering from noticeable corner softness, persistent vignetting at 400mm, and overall mediocrity at the longest end compared to crisp prime lenses. Users may also find the $1,900 MSRP very expensive, the heavy plastic construction questionable for durability against drops, and the unmarked aperture ring frustrating since it forces the photographer to look...

The Fujifilm XF 100-400mm f/4.5-5.6 R LM OIS WR is a highly capable super-telephoto zoom lens, providing a 152-609mm equivalent focal length suitable for wildlife and sports. According to Photography Life, it features a robust, fully weather-sealed construction with 13 seals, along with 5-stop OIS, fast twin linear motor autofocus, and razor-sharp performance across the zoom range. However, the lens is a premium-priced, bulky option for the X-mount system, weighing 1,375g. The review notes that autofocus can occasionally struggle at extreme close distances or in low light at 400mm, and some users may find the included tripod foot small.

The Cameralabs review by Gordon Laing highly recommends the Fujifilm XF 100-400mm f4.5-5.6 super-telephoto zoom lens, highlighting its standout pros such as an expansive 150-600mm equivalent focal range that offers the longest native reach in the X-series catalogue. Built with professional-grade, weather-sealed durability, it incorporates 21 optical elements (including five ED and one Super ED element) to reduce chromatic aberration, and features a nine-blade aperture system for rounded bokeh effects. Performance-wise, the review praises the lens’s highly effective 5-stop optical image stabilization system and its twin linear autofocus motors, which provide quick, quiet, and reliable subject tracking for sports and wildlife photography, especially when paired with modern Fujifilm camera bodies. While the review is overwhelmingly positive, it does point out certain design constraints and potential cons inherent to a heavy-duty telephoto setup. Specifically, the lens is notably large and heavy, weighing 1375g and extending from a baseline length of 211mm up to 270mm when fully zoomed in, making it a substantial piece of gear to handle. Additionally, the maximum aperture is variable, starting at a moderately bright f4.5 but inevitably...

The Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR is described in the DPReview forum post as an exceptional super-telephoto zoom, delivering sharp, detailed images across its range with reliable, high-performance image quality. While praised for its versatility and ruggedness, a noted disadvantage is that it is not quite as razor-sharp as the premium XF 50-140mm lens, and the combination of APS-C crop and variable aperture can lead to busy, less-refined bokeh. To maximize performance, the user suggests maintaining fast shutter speeds (above 1/1000s) to fully utilize the lens's significant reach and capabilities.

The Fujinon XF 100-400mm f/4.5-5.6 R LM OIS WR is a highly capable super-telephoto zoom lens designed for Fujifilm's APS-C X-series cameras, providing an effective 35mm focal range equivalent to 150-600mm. Built with an all-metal barrel construction, it features thorough weather sealing across 13 areas and an advanced optical image stabilization (OIS) system that delivers up to 4 to 5 stops of handheld stabilization. The lens relies on a twin linear autofocus motor that operates almost completely silently and speeds from infinity to closest focus in roughly a second. It offers premium physical controls, including a lockable lens hood with a sliding window for filter adjustment, a smooth 80-degree zoom ring, and a dedicated focus distance limiter switch to reduce hunting when shooting distant wildlife. A standout pro of the lens is its exceptional sharpness at wider focal lengths, alongside negligible vignetting and virtually zero discernible image distortion or chromatic aberration. However, several cons are noted, most notably that sharpness degrades and shows corner softness as you zoom toward 400mm, with fully stopped-down performance at f/22 yielding general softness. It...

The review of the 7Artisans 35mm f/0.95 lens for Fujifilm X by Max Angeloni on Riflessifotografici highlights how affordable, ultra-luminous Chinese prime lenses have sparked significant interest in the photography community. Initially skeptical due to a flood of superficial online evaluations, the reviewer found that this lens breaks the mold by offering robust, high-quality performance that goes far beyond its competitive price point. Aesthetically reminiscent of classic premium glass like the Summicron 50, it features a remarkably compact form factor, a solid all-metal construction, and a smoothly dampened manual focus ring that handles exceptionally well on Fujifilm X-series camera bodies. 35 However, the review points out clear ergonomic and optical compromises made to achieve its budget-friendly f/0.95 status. Its core strengths lie in exceptional center sharpness that pairs well with high-resolution sensors, brilliant color reproduction, and an incredibly thin depth of field that generates creamy background bokeh. On the flip side, the lens noticeably suffers from significant focus breathing, making focal lengths shift when adjusting focus. Furthermore, the lack of a locking mechanism or click-stops on the aperture ring means...