Canon EF 100mm F 2 USM Bewertung | 54 Daten im Vergleich

The Canon EF 100mm f/2.0 USM is characterized by The-Digital-Picture as a compact, lightweight medium telephoto prime offering excellent sharpness, high contrast, and fast autofocus performance starting at its wide-open f/2 aperture. The lens, which features a durable build and an internal focusing design, is highly praised for portraiture, indoor sports, and low-light scenarios. However, the review notes the lens suffers from limited close-focusing capabilities with a 0.14x maximum magnification and lacks modern image stabilization (IS) and weather sealing. Additionally, it exhibits reduced sharpness beyond f/16, the shallow depth of field at f/2 requires precise focusing, and the required lens hood is not included.

The OpticalLimits (formerly PhotoZone) review evaluates the Canon EF 100mm f/2 USM, a classic full-frame portrait telephoto lens released in 1991, specifically testing its performance on an APS-C DSLR where it provides a 160mm equivalent field-of-view. The review highlights several notable pros, including its very good build quality with a smooth focusing ring, an extremely fast and silent ring-type USM autofocus drive featuring full-time manual focusing, and a lightweight, compact design weighing only 460g. Optically, the lens delivers an impressive lab performance on the cropped sensor, boasting excellent center resolution even when shot wide-open at f/2, along with negligible distortion (0.05%) and highly controlled vignetting (around 0.5 EV). However, the review also notes a few cons associated with this budget-friendly alternative to expensive L-series glass. Mechanically, its outer barrel shell is constructed from solid plastics rather than metal, and a dedicated lens hood is not included in the box, requiring an optional purchase. Furthermore, its optical design relies on 8 elements in 6 groups without any special lens elements, which can result in noticeable purple fringing or longitudinal chromatic aberrations...

According to Ken Rockwell, the Canon EF 100mm f/2 USM is a "spectacular" and under-appreciated prime lens offering superior optical sharpness, even surpassing more expensive L-series zooms, while providing excellent low-light performance. Its design features a durable metal filter thread, fast USM autofocus, full-time manual focus override, and a lightweight, compact form factor, making it an ideal choice for portraiture and travel. Ken Rockwell Rockwell notes that this lens has virtually no flaws and is highly recommended, with its only limitation being extreme similarity to the Canon 85mm f/1.8, rendering ownership of both redundant. While it lacks modern Image Stabilization (IS) found on newer macro options, its high performance and low price make it a standout choice for Canon shooters.

The Canon EF 100mm f/2 USM is a highly capable and affordable portrait lens priced at approximately $440, offering excellent value for wedding and portrait photographers. It delivers strong resolution, superb control over chromatic aberration, absent image distortion, and well-managed vignetting. With a bright 2.2 T-stop transmission score, it excels in low-light environments and easily creates images with a very shallow depth of field. However, its main drawback is the complete absence of stabilization technology, leaving it vulnerable to motion blur unless the photographer maintains a steady hand. When compared to its rivals, the lens holds a unique competitive position but falls behind in outright sharpness. Its sister lens, the cheaper Canon EF 85mm f/1.8, outperforms it with a superior resolution of 66 lp/mm compared to the 100mm's 59 lp/mm, keeping sharpness sharper all the way into the corners. Against third-party options, it matches the resolution and image quality of the premium $1,840 Carl Zeiss 100mm f/2 but includes autofocus, which the manual-only Zeiss lacks. Meanwhile, the $970 Sigma 105mm f/2.8 offers a slightly higher 61 lp/mm resolution and built-in...

The ePHOTOzine review highlights the Canon EF 100mm f/2 USM as a compact, high-value portrait lens delivering excellent sharpness, nonexistent distortion, and smooth bokeh with its f/2 aperture. It features fast, near-silent ring-type USM autofocus with full-time manual override, making it a well-balanced option for full-frame cameras. Conversely, the lens is constructed of high-quality plastics lacking weather sealing and does not include a lens hood in the box. While generally accurate, the autofocus can hunt in low-contrast conditions, and the lens lacks image stabilization.

The Canon 100mm f2 USM is a high-quality, budget-friendly portrait lens compatible with both full-frame and APS-C DSLR cameras. The reviewer notes that it is optically superior to its close relative, the Canon 85mm f/1.8, showing greater sharpness when shot wide open at f/2, alongside delivering rich contrast, pleasant colours, and a beautifully smooth background bokeh. Its ring-type ultrasonic autofocus motor provides nearly silent and remarkably fast focusing, though it may occasionally hunt in low-contrast conditions. While longer focal lengths like this require you to stand further back from your subject, they prevent the facial distortion common with shorter 50mm lenses and make the lens highly effective for environments like concerts. The lens boasts several significant pros, including excellent overall image quality, rapid USM autofocus performance, and a relatively small, lightweight build that offers superb value for money. On the downside, its primary con is the appearance of purple fringing (chromatic aberration) in high-contrast scenarios, such as shooting scenes with snow. Additionally, it is slightly heavier and larger than the 85mm variant, and its 0.9-metre minimum focusing distance limits its...

The Radojuva review characterizes the Canon EF 100mm f/2 USM as a high-performance, compact "hidden gem" offering outstanding sharpness, smooth bokeh, and fast ring-type USM autofocus with full-time manual override. The lens features an internal focusing system that maintains its physical size and is highly regarded for portraiture due to its fast f/2 aperture. Conversely, the lens suffers from notable chromatic aberration and color fringing, especially when shooting wide open at f/2. It also lacks optical image stabilization (IS) and has a 90-centimeter minimum focusing distance, which restricts its use as a macro lens.

The Canon EF 100mm f/2 USM is described as a high-value "can't lose" portrait lens that delivers an impressive performance on APS-C DSLRs. The review highlights its excellent center resolution even at f/2, with border sharpness reaching excellent levels by f/4. Technically, the lens excels with negligible distortion (0.05%), exceptionally low chromatic aberrations, and well-controlled vignetting that stays around 0.5EV wide-open. It is specifically noted for being optically superior to its more popular sister lens, the EF 85mm f/1.8 USM, making it a strong alternative to expensive L-series glass. Despite its high marks, the review identifies minor drawbacks to consider for specific shooting scenarios. While vignetting is low on APS-C sensors, it may become more apparent in "extremely critical scenes" at f/2, though it disappears quickly when stopping down. Additionally, the reviewer cautions that distortion may increase during extreme close-up photography. While the mechanical quality and price-to-performance ratio are highly rated, the lens lacks the professional "L" designation, though it provides similar image quality for a much lower investment. If you're interested, I can: Compare its specs to the 85mm...

The Photodo review of the Canon EF 100mm f/2 USM highlights a compact, 460-gram medium telephoto lens designed for low-light performance and shallow depth-of-field, with internal focusing and a 90cm minimum focus distance. Tested on a 5D Mark II, the lens displays very good central sharpness at f/2, reaching excellent edge-to-edge clarity at f/8, alongside quick, reliable USM autofocus. Key advantages include the fast f/2 aperture and strong, lightweight build, while downsides include only "fairly good" edge sharpness at maximum aperture and the complete lack of image stabilization. The lens offers, according to the review, high-value optical quality, though the package is sparse without an included hood, and it requires stopping down to achieve uniform sharpness.